It’s been two years since I began learning about the magic of natural ink making. This journey has had it’s evident challenges but mostly, it’s been so fulfilling to learn how to create color with nature itself. If you are interested in reading about how I got started, check out this blog post. I share about what led me to explore this new medium, some important mindsets for approaching nature as an art material, and the undeniable meaning it has brought to my work.
In this blog post, I’ll be covering some basic techniques, recipes, important safety practices, helpful ink supplies, and a bit about foraging for your own color.
Let’s dive right in. What are the elements of ink? Well, it’s really quite simple - the basic formula for creating a natural ink is:
Plant Material/Color + Water/Oil + Binder = Natural Ink
Plant Material/Color gets suspended in Water/Oil creating a color extraction usually with the use of heat/fermentation, then a binder is used to hold the two elements together, much like a natural glue, creating a Natural Ink.
Let’s breakdown each of those categories in depth:
Plant Material/Color
can be anything such as food waste like onion skins to flower petals from your home garden. The materials that are widely available to you are the true beauty of this process because there are so many things that produce vibrant, pigmented color. I challenged myself to create Natural Inks for 30 Days earlier this year. It was a fascinating, rewarding and eye opening experience to say the least. Check out the magic here.
One of the biggest reasons I’ve transitioned to creating art with natural ingredients is to discover a sustainable and earth friendly practice. With this lies many hours of research on which materials are non-toxic/harmful and which materials can be sustainably harvested from the region around me. It’s important to be knowledgeable about the toxicity of plants and that comes with knowing exactly what you are gathering especially if your ink studio is your home kitchen.
Natural colors can be extracted from plants, minerals, fungi, lichen, wood bark, roots, food waste and so many other materials. There are certain variables in each plant’s structure that make it reliable and lightfast color, which has to do with how resistant to fading it is when exposed to light. The more experimentation and research you do, the more you will learn about the molecular structure of plants and how to extract rich color for best results. Typically, plants that are high in tannins produce the richest color. A tannin is an organic compound found in trees and plants that can be used as a natural mordant or a color darkener when mixed with iron. Furthermore, color pigmentation can vary on the plant type, time of year harvested, cooking time and fixatives. With all this said, I’ve always embraced an intuitive and experimental approach to color extraction. I’m not one to follow recipes and I am totally okay with that. I’ve learned ink basics and now I’m further falling in love with the discovery of new plants. I love that living color changes with time and light. I love that it has a mind of its own. The ever changing aspect of the ink making process is what I find the most rewarding.
Here are some plants I’ve loved experimenting with:
Food/Scraps/Herbs: Avocado Pits/Skins, Beet Scraps/Skins/Roots, Pomegranate Skins, Black Tea, Hibiscus Tea, Coffee Grounds, Onion Peels, Purple Cabbage, Turmeric, Sumac, Spinach, Rosemary, Mint, Lavender, Sage
Berries/Fruit: Blueberries, Blackberries,Currants, Gooseberries, Rosehips, Wild Grape, Pokeweed Berry, Elderberry, Buckthorn
Flowers/Leaves/Plants: Fireweed Leaves, Rose Petals, Iris Petals, Dahlia Petals, Marigolds, Chamomile, Coreopsis, Camellia Leaves, Woad, Weld, Goldenrod, Yarrow, Cosmos, Indigo
Roots/Bark/Nuts: Madder Roots, Willow Bark, Oak Galls, Fruit Tree Bark, Walnut Husks
Water/Oil
After you’ve selected and confirmed the identification of a plant you will be extracting color from, you will be suspending the color in what is called a vehicle. The term vehicle is essentially just the liquid from which the color will be extracted. This can be: water, oil, alcohol, or gel - depending on which type of creative application you will be using the ink for. The amount of vehicle and desired temperature and cooking time duration will vary based on the plant itself. Typically, delicate leaves/flowers/berries can produce vibrant color within minutes of being under heat; whereas, hardy materials such as roots, bark, nuts, and pits take days to produce pigmentation.
I do research on recipes if I haven’t tested a particular plant’s cooking process before. I can generally get a good sense for cooking time and ingredients needed by referencing existing recipes. While results vary even if you follow recipes precisely, I prefer to simply do color tests during the cooking process. About every 10-15 minutes, I dip a natural fibre paper strip for a few seconds into the liquid and let the color dry before deciding if more color needs to be extracted. On each strip, I like to make note of cooking time and the type of plant I’m extracting to keep track of records.
Binder
Once you’re satisfied with the color intensity, you will need to filter out any plant matter using a fine mesh strainer or coffee filter. Doing a thorough straining process will help you avoid bacterial growth/mold from spreading into your ink. Once the ink is strained and you are left with liquid magic, you will need to use a binder. This is what binds the extracted color and liquid together, much like a glue. My favorite natural binder to use is the liquid form of Gum Arabic, which is hardened sap from Acacia Trees.
Preservative
To seal the deal, I add a preservative to prevent any bacteria from spreading into the ink. You can use any antimicrobial essential oils available to you. I like to use a few drops of Wintergreen Oil. It is recommended that you store your inks in either a cool place that doesn’t get hit with sunlight or refrigerator.
Now that you are familiar with what variables create an ink lets dive into a basic recipe and the tools you’ll need.
Safety
For all ink making tools, it is recommended that you either use second hand/thrifted items or things you don’t use for cooking any longer. This will ensure that no plant residue/ink ever accidentally causes you harm. Depending on the plant material, you may need to utilize a ventilated room, open a nearby window, or work outdoors during the extraction process. I cannot emphasize enough to always be certain that you’ve properly identified a plant and its properties before you begin. Wiping down all cooking surfaces and keeping a sterile environment is crucial not only for your own health but also for avoiding bacteria from spreading into your ink. All tools including bottling jars should be sterilized or run through the dishwasher before and after use.
Tools
You can create an ink with just a few simple household tools - stainless steel pot, wooden spoon, and a strainer. As you experiment, you may want to gather a few other handy tools such as: mortar and pestle, funnel, potato masher, tongs, rubber gloves, stainless steel bowls, muslin, and a good assortment of well sealed glass jars.
Materials: Plant Material, Water, White Vinegar, Salt, Gum Arabic and Wintergreen Oil
Basic Recipe
Step 1: Choose your plant material for ink making. Confirm plant identification, properties, and toxicity.
Step 2: In a stainless steel pot add your plant material and fill with enough water to cover the surface of the plant material itself. Usually, for one cup of plant material, I use two cups of water.
Step 3: Bring plant material to a boil. Then add 2 tablespoons of white vinegar and 1 tablespoon of salt. Boil for a few more minutes then turn down the heat to a simmer, stirring occasionally. At this point, I usually test the color intensity with paper strips every 10-15 minutes.
For berries/flowers/plants cooking time is usually 15min-2hr. For hardier materials such as pits, bark, cones, nuts, cooking time can be multi day - beginning with a 1hr boil, then letting the plant material cool/chill in the pot overnight and repeating the process the following day for another hour until the desired color is achieved.
Step 4: Once your desired color is achieved, remove from the heat and let cool.
Step 5: Filter the plant material using a fine mesh strainer, you may need to repeat the filtering process again if you can still see plant particles floating in the ink.
Step 6: Pour your ink into a sterilized jar and then add two drops of Gum Arabic and two drops of Wintergreen Oil. Viola, magic in a bottle!
